Running into problems when taking photographs over, and over again? Here’s a handy guide that will help you troubleshoot your problems, and improve your shots all at once!
Rather than stretch this out over several articles, it seemed like a good idea to provide solutions to common problems in Photography all in one informative list. Please be sure to ask any questions if you’re having problems not mentioned here!
Blurry Images Caused by Poor Focus
Photos that aren’t sharp are almost always caused by focus problems — either you, or the auto focus didn’t do their job correctly. If you are using auto focus and still get blurred photos it might be because the camera used another focusing point rather than the one thought you intended to use. Another reason might be the setting of the focus and then moving the camera without refocusing.
Blurry Photos Caused by Camera Shake
Camera shake is a result of unsteady hands or a too long of a exposure. To counter this you can change the shutter speed, or make the exposure time shorter. If you don’t want to change the aperture you can always change the ISO setting. Higher ISO will create noise, but noise is better than a blurry image caused by too long of a exposure time. Another option is to use a tripod or monopod.
For more information about this topic, you may like to read our tutorial on Proven Ways to Reduce Camera Shake.
Stop Motion Blur in Photographs
This is the result of photographing a moving object with a too long exposure… no matter how steady you are. A faster shutter speed is the only solution in this problem — some action sports require speeds as quick as 1/1000+.
Too Much Contrast
The sensor is not able to pick up the whole spectrum of light and expose it correctly in some situations. Unless you want to manipulate your photographs in post-production (such as HDR) you have two options: either select the part of the scene that is most important to expose correctly, or use a graduated ND filter to get the entire scene exposed correctly (primarily used in landscape photography).
Add More Contrast
Low contrast can be a result from photographing in bad lighting conditions, or in unique instances, environments can play a role in this problem (such as a snowy landscape). This is most often easily fixed in Photoshop by using the adjustment layer Levels to change the black and white point. The example photograph is lacking contrast due to stray light reaching the sensor, which can be countered by using a lens hood.
Here’s a good article that shows how to Correct Lighting and Contrast Problems in Photoshop.
Prevent Lens Flares
A lens flare is created when the lens picks up stray light. The best way to block out this unwanted light is to use a lens hood. Different lenses create different lens flares — cheaper lenses usually create uglier flares than high-end lenses, but even with a high-end lens one should always use a hood to minimize the risk.
Prevent Double Lights
This is an optical effect that can occur in low light situations in combination with some (often cheaper) lenses. A UV filter can increase this effect, so if you notice these types of odd lights on your night photographs you might want to consider removing the UV filter for the duration of the shoot.
Underexposure
Not enough light reached the sensor, you need to change the exposure settings to get a correctly exposed photograph. Either a slower shutter speed, a larger aperture or higher ISO — or all of them combined.
Read more about Exposure in Photography.
Overexposure
Too much light reached the sensor — you need to change the exposure settings to get a correctly exposed photograph. Either a faster shutter speed, a smaller aperture or lower ISO — or all of them combined.
Read more about Exposure in Photography.
Dark Corners — Vignette
Vignette are dark corners in a photograph, which occur when the light is not evenly distributed on the sensor or when the flash just lights up the center of a shot.
Many lenses, even high-end, create this effect when opened wide (largest aperture). To fix this problem simply stop down the aperture a few stops and this should even out the distribution.
Lens distortion
Mostly a problem when photographing architecture with a wide-angle lens. A lens below 50mm usually creates some distortion but in most cases this is not visible. However when you are photographing straight lines (such as buildings), standing close to the object and pointing the camera upwards you will more easily see these distortions. Take a few steps backward or change to a more suitable lens.
For more information, read our article about different Camera Lenses.
Skewed horizon
You were either holding the camera skewed or the tripod was set up uneven. Some DSLR cameras have the ability to change the focusing screen and install one that has guidelines. This is rather easily fixed in post-production by rotating the image, but you will loose some of the edges.
Red eyes
This effect occurs when the flash is located close to the lens and is a common problem with our modern point-and-shoot-cameras due to their placement of the flash. To prevent red eyes, do not use the cameras internal flash if your camera has one. Use an external flash that you can bounce on a wall or on the ceiling.
Reduce Noise in Photographs
Most likely due to a high ISO setting, but can also be caused by long exposures. To prevent noise, use a low ISO setting. If you have photographs with much noise you can always use a software to remove it, such as Photoshop or Noise Ninja, though some detail will be lost of course.
You can learn more about ISO, Aperture, and other essential subjects in our Photography Basics article.
Photo is yellow/orange tinted
The camera is most likely to have miscalculated and thought the photograph was outdoors and added orange tones to compensate. The white balance is the fault here, and if you’re photographing in RAW there’s no problem since you can easily just change the white balance to a desired level. If you’re not using RAW-files then you might want to check your settings in the camera — most cameras have W/B setting for indoors and outdoors, as well as custom settings and auto. The fault could also be that you used a flash that bounced off an orange surface as well, so try to always bounce the flash at a neutral surface, such as gray.
Photo is blue tinted
These photographs look very cold and are most likely due to a miscalculation by the camera and just like the previous problem discussed, you can fix it the same way. Another reason why a photograph can get a blue tint is because of large amounts of UV-light, to reduce this problem use a UV-filter that prevents the UV-light to reach the sensor without affecting the overall quality of the photograph. (Not a problem for most digital SLR cameras.)
Photo is half black
The flash doesn’t sync correctly with the camera (shutter). This problem was more predominant before the digital era, but old flashes can still cause problems with newer technology. Either buy a new flash or learn which shutter speeds work best — 1/125 and 1/60 are usually good.
Chromatic aberration
Chromatic Aberration (sometimes also called “purple fringing”) is an optical effect and it’s seen as purple edges around an object, sometimes green edges on the opposite side are also visible. This effect is most common in situations with strong contrast, such as sunlight against dark objects or black text on white background. The problem is more prominent on zoom lenses, the longer the range the worse the problem usually is. To prevent it you could use a smaller aperture — shooting with the lens wide open will enhance the problem.
Sensor Dust
These gray spots are usually caused by sensor dust. The best way to get rid of this problem is to keep your gear clean and dust free. The sensor is very sensitive and cleaning it will mean that you expose it to further risks. Some photographers send their cameras to be cleaned while others clean the sensor themselves. Choose which option you like best.
Want to Learn More About Photography?
If you’d like to learn more about Photography, Lenses, and Equipment, be sure to see the rest of our Photography Tutorials! If you’re a beginner, you may want to check out our Photography Basics Tutorial. Also feel free to leave a comment here, and someone will try to answer your questions as quickly as possible!
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34 Comments Leave a Comment
I wish I had a SLR, so I could have a use for this tutorial… but I don’t
Otherwise: Great comprehensive list of common issues!
Greetings,
LBrother
Excellent article Fredrik — cleared up a few things for me. I found the half black solution very useful (I’m using an external flash so old, it could qualify as an antique).
@LBrother: Some of those tips apply to Consumer point-and-shoots I’d say
great article.too bad i still dont have my own camera yet. i only use my cp on capturing:D
really good article…. covers quite a good number of tips…
Thanx a lot …
Great article, very insightful for people wondering why their getting those issues
Thanks a lot, great tips in this article!
Some great stuff you got here!
Helped clear up stuff for me in photography, and given me some good pointers for future shots! Great stuff!
@David Leggett :I’m using an external flash so old, it could qualify as an antique
Be carefullwith that external flash. Old flashes were outputing high voltage on the hotshoe of the SLR. Since newer camera are more computer then camera this voltage has been lowered down very much. This transfer to your camera as a risk of frying inner parts. Be sure to check compatibility or get a new one !
@Sebastien: Thanks for the tip Sebastien. That’s probably a major concern now that you’ve pointed it out. Ah well, it was time to invest in a modern flash anyways!
Great camera tips. You definitely cleared up some issues I was having with my camera.
Thanks! Before I forget I was looking for the trackback link, but I could not find it.
Great article – i finally understood why the hell do i need a UV filter.
Thanks.
The tip on the yellow/orange photos was awesome!. I use a Sony alpha 100 DSLR. In automatic mode it does great during daytime. But at night everyone of my photos was ruined by the yellowish / orange tint. I had tried everything. Faster Lenses. External Flash. Putting the camera into program mode. And still nothing helped. Then after reading this. I looked at my camera’s settings for White Balance. Turns out it was in Automatic White Balance. As soon as I changed it to manual White Balance, and just left all values to Zero, the yellowish tint was gone. Finally my pictures look just like the way I see them. There is a whole new world waiting for me now!
spark me~
Very good articles for my upcoming photography project. It has helped me in the transition from film photography to digital photography.
Maybe you should include some equipment reviews to make it a 1 stop photography website. Thank you.
Good pointers. Thanks for this article.
hello
thanx for the very important tips
no more bad photos
they are really useful
David, This site is fantastic! Brilliant photos and sound photographic advise. I Bookmarked your site so I can show my son Garren who is also an avid photographer. There is always something new to learn and try in photography, but most of us only scratch the surface. Thanks for posting this marvelous site. Ron Lazar
Fredrik, This site is fantastic! Brilliant photos and sound photographic advise. I Bookmarked your site so I can show my son Garren who is also an avid photographer. There is always something new to learn and try in photography, but most of us only scratch the surface. Thanks for posting this marvelous site. Ron Lazar
nice ….
Talk about stating the bloody obvious…
This guide is laughable
Yes, I’d have to agree with Sam Smool, and I’m quite concerned with the amount of people who seem to lack the proper amount of photo knowledge, i.e., Houston Web Design. Honestly, if you have a DSLR, and don’t know about basic white balance settings, you really should go back to using a compact camera. Don’t buy an expensive piece of equipment until you understand how cameras work.
Thanks for sharing photographic advise.
sir,
i ve recentlypurchased a sony dsc h50.
i am a green horn but interested in photography
i like natural subjects and need some tips to get started and want some to have a look at my photographs and guide me.
Nice!But I when I had a DSRL,I will useing it^^Thanks
good article like more of this articles
In regards to yellow toned photos…..When I take pictures indoors at night, with warm lighting, the pictures always turn out yellow. I don’t like using flash, and I have tried adjusting all my settings including type of picture, white balance, exposure, ISO, EVERYTHING, but can’t seem to get crisp true colors in this setting.
I thought it was unavoidable, but my room mate seems to be able to get a nice shot on her Canon, (but her friend whos a professional photographer, showed her how and she doesn’t know what she did)
I own a Nikon D3000 and can match all my settings to hers but still get a super yellow picture.
Please does anyone have a tip for me? I am new with DSLRs.
Thanks!
This was a very helpful article! I’m trying to perfect aquarium photography with my new Nikon D3000 and couldn’t quite make out just what the technical descriptions of ISO vs Aperture vs Shutter speed were trying to tell me. Your article has definitely cleared the relationship up for me, even if it wasn’t a main point.
wow Great article, thanks!145
wow Great article, thanks!150
wow Great article, thanks!163